| 1. THE ART OF SOUTH WESTERN NIGERIAN MASQUERADES |
| 2. ACQUISITION AND MANAGEMENT OF SERIAL IN ACADEMIC LIBRARIES |
| 3. AN ADAPTATION OF WOVEN FABRIC ON BATIK FOR PERSONAL CLOTHING |
| 4. STUDIO PRODUCTION AND COMMUNICATIVENESS OF TIV TRADITION CLOTHING |
| 5. EFFECT OF POOR MAINTENANCE STUDIO EQUIPMENT AND THE PRACTICE |
| 6. ART FORMS ON OPOTO FESTIVAL IN ENUGWU – AGIDI |
| 7. COMPUTER ANIMATION AND IT’S ROLE IN ADVERTISING |
| 8. PUBLICITY DESIGN COMPANY ON BRIBERY AND CORRUPTION (USING GRAPHICS MEDIUM) |
| 9. MOBILE PUBLICITY USING A VANE |
| 10. THE INFLUENCE OF PHOTOGRAPHIC IMAGES IN ADVERT DESIGN |
| 11. PHOTO PUBLICITY OF TOURISM |
| 12. PRINT EXPERIMENTATION ON DIFFERENT SURFACES WITH DIFFERENT MEDIUM |
| 13. AN ILLUSTRATION OF TRADITIONAL MARRIAGE |
| 14. THE EFFECT OF POOR MAINTENANCE STUDIO EQUIPMENT AND THE PRACTICE |
| 15. PROTOTYPE (MODEL) OF A GALLERY FOR THE IMT ART SCHOOL |
| 16. FACIAL EXPRESSION IN POWER TUSSLE (AN ADAPTATION OF CASTING AND METAL CONSTRUCTION TECHNIQUE) |
| 17. SCULPTURAL COMPOSITION |
| 18. MIX-MEDIA IN SCULPURE |
| 19. ILLITERACY |
| 20. MASQUERADE OF AFIOLU FESTIVAL IN NNEWI |
| 21. ART AS A VEHICLE TO RELIGIOUS EDUCATION |
| 22. SUPPLICATION (A CASE STUDY OF FORMS IN WOOD CARVING) |
| 23. MIX-MEDIA IN SCULPTURE |
| 24. EFFECT OF POOR MAINTENANCE STUDIO EQUIPMENT AND THE PRACTICE OF ART |
| 25. FACIAL EXPRESSION IN POWER TUSSLE |
| 26. COMPUTER ANIMATION AND ITS ROLE IN ADVERTISING FOCUS ON ONLINE ADVERTISING |
| 27. MOBILE PUBLICITY USING WIND VANE USING A VANE ON A MECHANISM WITH FOUR CARDINAL POINTS FOR THE USE OF WIND VANE TO SHOW WHICH WAY THE WIND IS BLOWING, ALSO TO PUBLICIZE SCULPTURE GARDEN |
| 28. ARTISTIC ELEMENTS IN EKPE MASQUERADE |
| 29. A CONCRETE WORK OF PIETA |
| 30. ULI IN MGBOKO-ODOBO FESTIVAL |
| 31. ACRYLIC PAINTING ON A PICTORIAL REPRESENTATION OF READING CULTURE AMONG STUDENTS IN FINE ART |
| 32. RESTORATION AND CONSERVATION IN CONCRETE SCULPTURE |
| 33. AN EVALUATION OF DECORATED TRADITIONAL CLOTH USED IN TIV CULTURAL ACTIVITIES |
| 34. CARTOON A FACTOR OF NIGERIA’S SOCIAL HISTORY |
| 35. COSTUMES, COLOURS AND SYMBOLS AS SEEN IN OZUBULU CHIEFTAINCY CORONATION TITLE |
| 36. THE EFFECTS OF THE SOCRATIC METHOD ON STUDENTS ART PERFORMANCES IN SECONDARY SCHOOLS |
| 37. AN EXAMINATION OF FACTORS AFFECTING STUDENTS’ BEHAVIOUR IN CULTURAL AND CREATIVE ARTS |
| 38. AN EXAMINATION OF TRADITIONAL MURAL ART OF THE OBINGWA |
| 39. AN APPRAISAL OF AYO AINA’S INSTALLATION ART |
| 40. A SURVEY OF THE AVAILABILITY AND USE OF INSTRUCTIONAL MATERIALS FOR ART TEACHING |
| 41. A CONTEXTUAL ANALYSIS OF SELECTED ARTIFACTS IN THE MUSEUM |
| 42. ADAPTATION OF WOVEN FABRIC ON BATIK FOR PERSONAL CLOTHING |