| 1. THEATRE AS A SOCIAL RE-ORIENTATION TOOL |
| 2. A COMPARATIVE STUDY OF TRADITIONAL AND CONTEMPORARY NIGERIAN DANCES |
| 3. DEVELOPMENT OF LIGHTING IN RENAISSANCE AND MODERN ERAS: A STUDY IN COMPARISON AND CONTRAST |
| 4. RADIO DRAMA AS A TOOL FOR SOCIAL CHANGE |
| 5. FILM SCRIPT: A STUDY OF TECHNIQUES |
| 6. COSTUMING AN ABSURD PLAY: CASE STUDY OF SAMUEL BECKETT’S WAITING FOR GODOT |
| 7. THEATRE AND COPYRIGHT LAW |
| 8. PRINCIPLES OF DESIGNING AND THE APPLICATION OF MAKEUP IN NOLLYWOOD PRODUCTION |
| 9. VALUE OF OWIGIRI DANCE |
| 10. THE HISTORY OF NATIONAL THEATRE |
| 11. SEMIOTICS ANALYSIS OF NIGERIAN AND AMERICAN FILMS |
| 12. THEATRE AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS |
| 13. THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE |
| 14. INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY |
| 15. FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL |